... are titles of works by the multi-talented Sonia Delaunay, whose career spanned much of the 20th century. She was a pioneer of paint; a mistress of the applied arts; and ace collaborator with some of the most progressive poets and choreographers of her day - and she was crazy about clothes! This first UK retrospective at Tate Modern has warranted several visits and I shall probably return for one more helping of Delaunay before the exhibition closes on August 9. On this particular visit, I opted for a charming 1920s-style silk shift, but actually a modern piece by Sarah Spencer, in washed sea-green and soft peach, colours which, I think, take their reference from the Bloomsbury Set. My daughter's glamorous gilet, by Lederer, is a jazzy miz of suede and fur, and has abstract patterns cut into it. My trusty canvas bag was bought in Cornwall and the French plimsolls are by Bensimon. A deliciously decadent string of milky-white beads, punctuated by a jade flower, and a pink quartz ring and bracelet, are by my jeweller of choice, Jessica Walker.
Where to go for a celebratory supper? Quaglino's, of course, which positively pulsates with glamour. Secreted away in St James', at 16 Bury Street, the sweeping staircase to the restaurant is like descending the stairs of a great ocean liner, albeit one anchored in Mayfair. For the occasion, there was only one dress to wear: a mid-century satin number weighed down with beads and pearls. A hand-made piece, purchased in Pimlico's Cornucopia (long-gone but one of my very favourite shopping haunts), this gown never fails to make me feel that I'm "Puttin' On the Ritz" - coincidentally just around the corner. Worn with brown satin heels, a deep-red vintage fur, and a statement pearl ring from Jessica Walker, plus a perfect dining companion (my daughter), in an Isabel Marant for H&M metallic dress.
Tate Modern is always good for a stroll through its magnificent Turbine Hall: Richard Tuttle's 'I Don't Know'. The Weave of Textile Language is the largest installation by this renowned American sculptor, and the newly commissioned piece thoroughly suits the space. Its arrival coincides with a retrospective of the artist's work at the Whitechapel Gallery. I couldn't resist the chrome yellow walls on the second floor - a sharp contrast to all the black and white I'm wearing - top by Jesiré with sequinned collar and cuffs; Italian trousers by Massimo Rebecchi, with more sequins; and silk sling-backs by Dolce & Gabbana. The vintage fur is from the '70s and the velvet bag, with cane handle, is even older. Up on the second floor at Tate Modern, a retrospective, Alibis: Sigmar Polke 1963-2010 highlights the work of one of the most radical and original artists of the past 50 years, who used an unlikely array of materials and media to work with - from soot and bubble wrap, to potatoes and python, as well as ground dust from a Chilean meteor! This true astronaut of the experimental was also given to wearing his own art - note the image at the entrance to the show - of Polke draped in a litany of archaic German insults called: 'The Large Cloth of Abuse'.
From a statement green Dior feathered hat, to a chic vintage gold dress, and a charming little black Prada bag, Paraphernalia had it all! Last month local ladies came together to showcase fabulous looks from the south London boutique. Both Honor Oak and Crofton Park businesses, including Pat-a-Cake, Star Cafe, The White Room, Arlo and Moe and Mr Lawrence Wine Bar, joined in the day-long celebrations, which spilled out onto the street. My looks ranged from an Elspeth Gibson sleek black dress, to Marni culottes with a vintage fur. Look out for the next 'fest' on Saturday 6 December!
... so says the solipsist in me. For Tracey Emin, whose new show is currently at Bermondsey's White Cube, 'The Last Great Adventure Is You' brings together sculptures, gouaches, paintings, embroideries and signature neon bon-mots. All eminently... Tracey. This solo exhibition, her first in five years, runs until November 16. Bermondsey is always good for a Sunday stroll to take in great art and... certainly some art in the knitwear, to be found at the Fashion and Textile Museum's latest exhibition, Knitwear: from Chanel to Westwood. Fine work from the likes of Biba, Ossie Clark, Comme des Garçons, Courrèges, Julien MacDonald, Sister by Sibling, Matthew Williamson and some nostalgic Fair Isle. I wore my Armani pinstripes, an asymetrical Comme des Garçons knit, Dior sunnies and a couple of scarves, in fur and Caledonian mohair. My vintage bag is chic whilst the 'Here's winking at you' '60s earrings are fun. The modern hand-made Porcelain Bling necklace (by Schneider) is a distinct one-off. My Ras boots are back out for winter!
... from Somerset House, a major arts and cultural centre with riverside views. Nothing like a good stroll across the cobblestones of Fountain Court, after all, these boots (by Ras) are, surprisingly, made for walking. Even though it's almost springtime, the weather still requires lots of layers, starting with a pair of red leather skinnies, you may have seen in 'Double leather' and 'Artists' Open House'. I'm not one for DoT (Dress-over-Trousers), but here I'm wearing a checked one by Betty Jackson, recently worn in 'Let's all be Friends!'. Yet more layers with a Nicole Farhi cardigan, and a Joseph tweed crombie-style coat. Gucci sunnies and a charming tweed bag always brighten my day!
