Bring on 2015!

January is the corridor month into a new year and how you approach it is often indicative of the year to come. It is also when one takes a brief backward look over one's shoulder at the previous year and then one looks firmly forward into the new one, ideally from the comfort of home, precisely my living room.

Last year had so many highlights: unforgettable art exhibitions such as the Matisse: Cutouts at Tate Modern which I returned to again and again, for those dazzling displays of colour and form from a master scissorhands and the ground-breaking show at the Royal Academy with Sensing Spaces bringing architecture up close, personal and to the rafters in Picadilly. Also at Tate Modern, the Paul Klee and Malevich shows were both absorbing and inspiring whilst the RA's Summer Exhibition is always a fixture in my calendar.

At the V&A, each exhibition seemed to outdo the next in the glamour stakes: from the peerless Pearls show to the Glamour of Italian Fashion and those Bulgari jewels, owned by Elizabeth Taylor, to the more recent Horst show.

In south London, I enjoy my thrice yearly trips to Battersea, with the Decorative Art Fair to make a purchase and discover what exactly is taking the interior designer's fancy at the moment, as well the two weekends in May which celebrate  Artists' Open House. On the street is certainly where I help take fashion from local boutique, Paraphernalia, from CroftFest to Croftmas. It is my only opportunity to dress up in totally different looks, without having to buy the clothes but I inevitably fall for that one piece!  My local gallery, the Dulwich Picture Gallery, always has interesting shows, notably 2014's Hockney: Printmaker and Art & Life and currently has brought Emily Carr to the capital and sparked fresh interest in one of Canda's best-loved artists. And in the shadow of Tower Bridge, the Design Museum showed off the endlessly inventive talents of Paul Smith in a memorable exhibition.

Further afield, we had a grand weekend at Knepp Castle (not as guests I might add) but helping friends with their vintage stall at The Floral Fringe; and a couple of trips to Chichester to visit a favourite, the Pallant, to see the Pauline Boty and J.D. Fergusson exhibitions. The Pallant House Gallery also re-affirms that small is not only beautiful but always fulfilling and a trip to Margate in late summer showed that the Kent seaside town has a showcase gallery in the form of the Turner Contemporary. And for all the above events and excursions, I continue to wear clothes from my wardrobe: old, new, vintage, repaired, reconstituted and reinvented, but always with aplomb. That's really the only accessory required. And a little Dior lipstick!

End of colour

The end of colour... as we know it. More specifically, at Turner Contemporary in Margate, where its latest exhibition, Summer of Colour, came to a close earlier this month. Celebrating the works of Dutch artist, Piet Mondrian, from early landscapes and a dazzlingly red windmill to his later distinctive lozenges of colour which inspired the late Yves Saint Laurent, in 1965, to incorporate those block shapes onto shift dresses. I decided to step out in my favourite hot-pink trousers, last worn in 'Carluccio's, South Ken'. The trousers are by British designer, Ally Capellino, who launched her womenswear collection in 1980 and is now best known for her accessories range. My breezy chiffon top is suitably colourful and graphic, whilst the shoes and sunnies, by Roberto Cavalli, are retro but sleek.The three year-old art space on Margate's seafront, designed by David Chipperfield, was also showing ethereal light installations by Brooklyn-based American artist, Spencer Finch, in turn inspired by Turner, who was both schooled and visited the town on sketching trips. Outdoors, on the terrace, contemporary Dutch artist Krijn de Koonig placed 'Dwelling' whose strong Mediterranean colours certainly heated up the Kent town by a few degrees on a September afternoon.