Showing posts with label taffeta. Show all posts
Showing posts with label taffeta. Show all posts

Wednesday, 31 December 2014

Horst

 















‘Fashion is an expression of the times. Elegance is something else again.’ Horst, 1984

The V&A's current exhibition on Horst: Photographer of Style encapsulates a life's work behind the lens, from that corset for Mainbocher to a Persepolis bull, and brings together unforgettable portraits and images of high style and glamour. Horst created more than 90 front covers for Vogue from the '30s to '60s. Notably that 1939 photograph for Vogue of the Detolle corset for Mainbocher informed Madonna's music video, Vogue, in the '90s. Horst P. Horst established himself as one of Vogue's photographers of choice in the '40s, so what better way to be inspired by the German-born virtuoso than wear my own impeccable dress from that era - an original Fashion Preferred, Styled by Jack Liebman. Who he? For my trip to the V&A, my classic black taffeta dress with velvet cuffs and collar stood the test of time on the steps in south Kensington, passing by the Christmas Tree 'Ceremony' by Gareth Pugh in the main entrance hall as well as a stroll through the classic sculpture gallery, keeping company with Diana the Huntress and Helen of Troy. My 'Feather in my Cap' hat was jaunty enough and my cane-handled velvet bag too. The Russell & Bromley grosgrain platforms from the '70s are a failsafe: glamorous and funky. And the tights, by Jonathan Aston, add a bit of jazz! The homage to Horst ends this weekend so pile on the glamour and take a stroll through these timeless images.

Tuesday, 11 March 2014

Impertinent Objects









Last weekend I found myself climbing the stairs at The Montage in Forest Hill's Dartmouth Road for the private view of Impertinent Objects, a mixed media show by Natalia Zagorska-Thomas, whose eye redefines the much overused and over-rated word: eclectic. This example of a single vintage shoe taking flight (no hand in glove) was a particularly eye-catching example of her original artwork, which we featured last year in 'The Montage' and 'Wallpapered hideaway'. Entirely in black, save for the Dior lipstick, I'm wearing some favourite pieces: a Homberg on my head, a cane-handled velvet bag on my arm and around my shoulders the oldest article of clothing in my wardrobe - an Edwardian silk and taffeta cape, with a lace ruffled collar and jet-black beaded rosettes. Pertinent, I think!